'Miller delivers tension Essay\r'

' symbolize two opens with a scene of great strain to the climax at the end of Act matchless where the shroud f alls on â€Å"their ecstatic cries”. In Act two, we begin to learn the relationship amid fanny and Elizabeth in more than detail. Miller puddles a sense of tenseness and conflict among throne and Elizabeth by using detailed stage directions to egest to the consultation how the actors be feeling and their thought tracks by their movement on stage and their facial expressions.\r\nThe tension during Act two is made even more dramatic by contrasting with the coldness and composure at the start of Act two. At the ascendant of Act two, Miller has purposely included very detailed stage directions about how Proctor’s house should appear on stage. Firstly, Proctor’s common room is â€Å"low, dark and rather colossal” which although is common for a Puritan living room, it purport an unpleasant atmosphere within the household. â€Å"As t he curtain rises, the room is repeal” is also included within the opening set of stage directions.\r\nThe room is empty and still which again creates a contrast to the fad of Betty and Abigail’s accusations of witchcraft and the heated argument mingled with arse and Elizabeth. One reason for Miller to create this contrast could be that he wanted to hold back up the peaceful start to Act two reserve the ending of Act one and the argument between seat and Elizabeth attend more dramatic and to make parts of Act two with John and Elizabeth seem more controversial. As John enters the living room, he â€Å"halts” as he hears Elizabeth singing.\r\nMiller may nourish added this â€Å"halts” because John is not knowing what to expect Elizabeth to be like with him because of the unsaid words that still brood between them about John’s combat with Abigail, or because he is enjoying listening to Elizabeth’s singing. John could also be worried t hat Elizabeth may forefront his whereabouts of that afternoon because he is late returning home. Elizabeth’s first words are, â€Å"What keeps you so late? ” which suggests to the audience that Elizabeth has a lack of trust in John because of John’s affair.\r\nJohn gives a conceivable explanation, â€Å"I were planting far out to the timber edge. ” and then tries to start a conversation. However, Elizabeth’s responses are laconic, â€Å"Aye. â€Å", â€Å"That’s well. ” and â€Å"Aye, it would. ” which suggests that Elizabeth does not want to talk to John. This could be because Elizabeth is still hurt because of the relations between John and Abigail or because Elizabeth’s mind is elsewhere because of all the accusations of witchcraft circulating through out capital of Oregon at this time.\r\n'